Teaching Toward Freedom: Moral Commitment and Ethical Action in the Classroom.
William Ayers. Boston, MA: Beacon Press, 2005. Pp. 168. $14.00, paper. ISBN: 0-8070-3269-7. TEL: 617-742-2110 • FAX: 617-723-3097

This book is an antidote to the various, canned ethical instruction programs that have been foisted off on schools over the course of recent years. Ayers, who is the founder of the Small Schools Workshop and the Center for Youth and Society, observes that “At the base of teaching, at its most fundamental, profound, and primitive core, all teaching is indeed ethical work. Teachers, whether they know it or not, are moral actors, and teaching always demands moral commitment and ethical action.”

In this book he draws on a number of examples from literature, history, and film for the purpose of depicting the school classroom as a natural site of ethical action, or, as he calls it, the practice of freedom.

And yet, he warns, there exists a tension between teaching for humanization and the possibility of dehumanization, wherein authoritarian education takes the place of free learning in the classroom. The latter, Ayers observes, can be seen in movies like Rabbit Proof Fence and The Magdalene Sisters, both of which show educators treating students as empty vessels devoid of ideas, choice, or humanness.

These movies, he says, show the ways in which education is always for something and against something else: “Education either stands for human freedom and liberation, for enlightenment, or it stands for subjugation in one of its seemingly endless forms.” It is therefore necessary for teachers to take it upon themselves to choose the former, to stand for truth and freedom and against oppression, lest they become tyrants disguised as teachers.

In a classroom which is committed to freedom, Ayers insists, educators must first and foremost completely devote themselves to their students, with all of their imperfections and contradictions. By acknowledging that students are individuals of value and consequence, teachers can come to learn as much about themselves as they learn about their students. This exchange—student as teacher, teacher as student—Ayers believes, is essential in order to achieve the development of community and moral engagement in schools and in a free society.

As an extension of respect for students’ humanity, Ayers writes, teachers must work to create a classroom where all opinions can be heard and where all opinions are equally valued. He calls this a “republic of many voices.”

Like the Freedom Schools of the 1960s, Ayers notes, this type of environment challenges and nurtures students’ growth by exposing students to new ideas through different methods of learning, as well as by linking what goes on in the classroom to the lives of the students and to the outside world.

Ayers also draws for examples from the novels of Jose Saramango—including his works The Cave and The Stone Raft—to demonstrate the importance of teaching in context, of providing students with knowledge of the world as it exists and also of how it could be. The characters in these novels break from the pack to explore worlds unknown, to engage in choices and acts of both individual will and collective action.

Teachers dedicated to freedom, Ayers asserts, encourage such activism in their students, pushing them to question the status quo and to take a stance in the world. This kind of activism, as America saw it during the Civil Rights movement, Ayers explains, is one in which individuals perform acts of transformation, actions that make a difference.

“Working in schools,” Ayers says, “where the fundamental truths and demands and possibilities of teaching at its best are obscured and diminished and opaque, and where the powerful ethical core of our efforts is systematically defaced and erased, requires a reengagement with the larger purposes of teaching.”

In an era in which test scores are paramount, this book is something of an anachronism. Ayers longs for teachers like Sidney Poitier’s Mark Thackery in To Sir, with Love and Robin Williams’s John Keating in Dead Poets Society: teachers who see the subjects they teach not as ends in themselves, but vehicles to make their students more fully human.

Certainly, we cannot simply ignore or dismiss test scores. On the other hand, people like William Ayers and John Dewey can help, as we used to say in the 1960s, keep our heads screwed on straight.

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© 2005 Prakken Publications, Inc.